Ming One’s dopamine-inspired Techno EP Addiction!
From 1990s teenage record store junkie to regular DJ at warehouse parties and clubs, Ming One has been a dedicated stalwart of Melbourne’s techno scene over the last two decades. After contributions to the recent Analogue Redux and Mobile Strategies compilations, Ming One has now produced his first artist release on the Clan Analogue label – the Addiction EP.
With six tracks and three remixes, Addiction celebrates all things techno – a musical style which has provided constant inspiration to artists throughout Clan Analogue’s history as Australia’s most legendary electronic music collective. Ming One unleashes his addictive personality on the styles heard pounding from Melbourne soundsystems over the years in a beat-driven journey across the techno soundscape.
Buy album from Beatport
Addiction opens with the melodic and EDM-inspired “Out of CPU”, merging into a progressive techno remix by Ollie Lee, another illustrious presence in Melbourne’s techno scene. “Segment” gives us stripped-back minimal techno before Addiction moves into techno breakbeat with “Aesia Break”. “Transition” explores a tech-trance direction, then “The Bells” takes us into the terrain of IDM-influenced sound. Perth’s Times of the Sines provides an electro breakbeat remix while “Galaga” is an acid techno monster, upping the adrenaline as the EP moves to a climax and concludes with a frenetic glitch-inspired remix by Melbourne breakcore hacker Aday.
Addiction has been forged in the fires of Melbourne techno. Bring on the rave wherever and whenever you party. Enjoy the sounds of Addiction.
Addiction is available from Clan Analogue in streaming, download and limited edition CD formats.
Buy from iTunes
1. Out of CPU
2. Out of CPU (Ollie Lee’s DSP UpMix)
4. Aesia Break
6. The Bells
7. The Bells (Times of the Sines Remix)
9. Segment (Aday Remix)
Originally released in 2021
The expanse, the microcosm, consciousness, time…
Drones can represent those aspects of existence that seem too large or abstract to fully comprehend. Drone music gives a sense of both stasis and evolution. It provides a space for contemplation, enables a moment of oneness with the universe.
Over the last year Clan Analogue’s artists have looked within to find renewed sonic purpose. The result is Distance: Sounds for an Empty Space: ten drone compositions blending noise and meditation in equal measure.
Each artist provides their own unique sounds for an empty space. Sectoral’s epic modular synth perambulation is an inner journey through imagined empty streets in our cities. iubar project explores empathy with harsh ambience; Jennifer Lea’s contribution is a sonic blanket in a field. Nicole Skeltys creates a soundscape to accompany a monologue for a dying financial system. Michael Mildren builds on the epic synth drones of early 70s German electronic pioneers.
The sounds explored on Distance range from field recordings, to analogue synthesizers, ipad digitisation to modded antique computer soundcards.
City Frequencies sample and rework the noises cluttering cities in frequency ranges beyond our hearing. Zogam experiments with time-stretched guitar drones while WiLL-i-ROMS rewires the soundcards from early 80s arcade games to improvise layers of digital noise. Kazumichi Grime allows unconstrained pure oscillator tones and white noise hisses to build up into a wall of distortion and conflicting harmonics.
Download album from Juno Download
All the Clan Analogue artists contributing to Distance were encouraged to work free of any constraints of time or format. The result is the legendary Australian electronic music collective’s most abstract and expansive music yet.
Buy from iTunes
Distance will be available on all major music streaming platforms. A limited edition cassette set is available now from Bandcamp.
- figital l welcome to the future (part 1)
- iubar project l Empathy in Action
- Jennifer Lea l 13
- Sectoral l Spooksteeg Brug
- WiLL-i-ROMS l Boot Carpet
- City Frequencies l The Interests of Entities
- Nicole Skeltys and Bill Garrett l Old School
- Zogam l Artisanal Hand Sanitiser
- Kazumichi Grime l Trinity
- Michael Mildren l Process Four
Clan Analogue’s contingent of drone artists have been busy in their studios during Covid-19 lockdown time, preparing a selection of expansive drone pieces to be released on an extended compilation later this year.
Stream Saturday evening from 8pm AEST
In the meantime, this elite force of Drone People will be performing live from their studios this Saturday evening, improvising their abstract drone experiments for a performance to be streamed live on Clan Analogue’s Twitch channel.
Kazumichi Grime, Michael Mildren, figital, David Prescott-Steed, iubar project, WiLL-i-ROMS, Zog and Nick Wilson (Reductionist) will all be joining the stream throughout the evening of Saturday, 16th of May, 8pm AEST until late. This unique interaction of some of Clan Analogue’s most innovative artists will not be repeated in this unprecedented era.
Join Clan Analogue’s Lockdown Drone Live this Saturday, 16th of May, from 8pm AEST until late in the evening at https://www.twitch.tv/clan_analogue
Entry is free and you can listen from anywhere there is an internet connection.
Analogue presents Mobile Strategies:
Clan Analogue’s new compilation album Mobile Strategies: Battery-Powered Sonics is a survey of international mobile music making. Whether using cheap portable synths, boutique miniature noise-making gadgets or apps on the phone or tablet, making mobile electronic music is expanding the possibilities of music creation and performance, turning the train ride into a production session, turning the local park into a studio.
Download album from Juno Download
Mobile Strategies includes contributions from music producers located on 3 continents and using a broad-range of mobile setups. The album’s 19 tracks include contributions from Tame Impala’s drummer Barbagallo, Germany’s prominent mobile music proponent Perplex On and the Melbourne-based KOshowKO who has pioneered venue-specific live audience sampling with the use of iPads.
A growing trend among the community of music producers is a return to the tactile experience of music creation tools and a focus on hardware that reduces the reliance on desktop systems. The different feel of mobile technologies impact upon the way producers choose to engage with particular formats. Portable technologies empower producers to redefine their methods of music creation in the contemporary digital space.
The mobile technologies used on the album range from the vintage TB 303, TR 606 and Casio SK-1 instruments used by Australian electronic act Rantzen & Spinoglio, through to a Gameboy Micro running custom software used by chr15m + Fenris to the latest invention by Teenage Engineering, their OP-Z sequencer, utilised by Perplex On in a nature-inspired, glitchy and bass heavy track produced during a hike in the Bavarian countryside.
Buy from iTunes
The album is available on all major music streaming platforms. There is also a special Bandcamp edition of the album, featuring a digital booklet detailing used equipment as well as the creative process behind each track. Customers who purchase the album on Bandcamp will also access a special folder with 6 bonus tracks not available elsewhere.
Mobile Strategies Executive Producer Martin Koszolko explains “Why a Mobile Music album?“
- Barbagallo l Trek6
- KOshowKO l Neaty + Tidy
- Starpause l Curious Crochet
- Perplex On l First Warm Sunbeams
- Decorate With Skulls l Tides
- Ming One l Protégé Four
- chr15m & fenris l Yeah
- Damiano l London City
- 477 l Shytcunstepator
- Лучи Мечты l Oculist Conspiracy
- Grey Nest l JVOIGT
- maN Oeuvre l Her BastarD
- Rantzen & Spinoglio l Sniffer Dogs
- theultravisitor l Am That
- BLEO l Full-Featured
- Yoshima Petrosyan l Nonza
- Planet Nowhere l Elevator Woman
- Aday l Pressures Touch
- Globotom l Es ist zu spät
- Alex J Wise l Place of No Time [bonus track on Bandcamp only]
- Mono Tono l Night in Sirolo (Personal Itaka) [bonus track on Bandcamp only]
- Jeff Henry l Another Bedtime Story [bonus track on Bandcamp only]
- Pantsofdeath l Ophendid [bonus track on Bandcamp only]
- The Tuesday Night Machines l Butterbrot [bonus track on Bandcamp only]
- Tristan Burfield l Pole Position [bonus track on Bandcamp only]
Electronic music collective Clan Analogue is proud to present German musician Peter Pichler on his first Australian tour, playing the unique Trautonium live for the first time outside of Europe for Trautoniks. At Bar 303, Northcote, on Thursday the 18th of April. Peter will be collaborating with Rae Howell (Sunwrae Ensemble) and Nick Wilson (Random Acts of Elevator Music) in a one-off improvisational performance that will be a unique combination of musicians and technology.
Tickets for this rare event are limited so book now to avoid missing out!
The Trautonium is one of the rarest electronic instruments in the world, invented in Berlin in 1929. Often considered the forerunner of the synthesizer, it was famously used in the soundtrack of Hitchcock’s film The Birds. In his youth Peter Pichler met Oscar Sala, the performer who first demonstrated the Trautonium in 1930, and he has now taken up the mantle of performing and recording with the instrument, upholding and expanding its legacy for today’s era.
Peter Pichler is the only touring artist performing live on the Trautonium today. His visit to Melbourne from Germany will be the first opportunity for local audiences to hear this instrument in concert as it has until now never been heard live outside of Europe. Peter’s work with the Trautonium includes avant-garde classical, film music and electro-pop.
To be sure you don’t miss out on experiencing Peter Pichler and the Trautonium live in performance make sure you book now!
Minimalist composer and performer Rae Howell (Sunwrae) has recently returned to Australia after living in London for the last six years. Her set with Peter Pichler will be her first performance in Melbourne for four years, utilising her hypnotic arpeggiated vibraphone techniques in a unique sonic live soundscape. Melbourne electronic music artist Nick Wilson (Random Acts of Elevator Music) will complete a one-off trio lineup of Trautonium, vibraphone and electronics.
Trautoniks will also feature sets from some of Melbourne’s greatest live synthesizer performers, utilising technologies old and new. Ehsan Gelsi (Oolluu) is one of Melbourne’s most accomplished modular synth performers, joining with fellow synth virtuoso Steve Williams who will bring his rare collection of early 1970s EMS synthesizers.
Michael Mildren has recently released his acclaimed collection of Process albums through Clan Analogue, exploring facets of electronic music performance developed through his intensive study of Kraftwerk.
Trautoniks takes place at Bar 303, 303 High St Northcote, on Thursday the 18th of April from 8pm onwards. Tickets are $20 / $15 (concession) and tickets are available to book now.
Long-running electronic music collective Clan Analogue take a trip to the north of Melbourne for the Broadmeadows Street Festival. A selection of their Melbourne artists will hit the festival stage at 2pm this Sunday the 7th of April. Hear Ming and Damian Tangram blast their synths, drum machines and other technological devices through the PA as their electronic tones and abstract beats are let loose to reverberate through the neighbourhood.
The Broadmeadows Street Festival takes place on Sunday the7th of April at Tanderrum Way, Broadmeadows.
The documentary “Clan Analogue: Plug In and Switch On” will receive a rare public screening at Northside Movies – Saturday Night Pre-Party Popcorn, taking place at Lupine Studios, 31 Sydney Rd, Coburg, on Saturday the 23rd of March, from 7pm onwards.
Northside Movies screen a feature movie supported by nu-skool shorts, clips, teasers and chats with filmmakers from across the globe. Saturday Night Pre-Party Popcorn includes ideological interrogations, political dialogues, psychological dramas, switched-on docos and drama for film lovers and makers.
Clan Analogue: Plug In and Switch On was produced by Manikin and Elevator Productions in conjunction with Clan Analogue.
RSVP to Facebook event
It is the time of the year when Clan Analogue members gather together at an AGM to discuss plans for the coming year.
This year, due to various lockdown restrictions in force in different parts of Australia (and the world) the AGM will be held online using a teleconferencing platform.AGM for Clan Analogue Recordings
Date and time: Saturday, 5th of December, 4pm (AEDT)
Location: please email melbourne[at]clananalogue[dot]com for more details and to get teleconferencing link
Come along and meet other Clan Analogue members, discuss the year that was for Clan, and make new plans for the year ahead.
SUBMIT TRACKS TO THE ‘MOBILE MUSIC’ COMPILATION ALBUM.
Clan Analogue is seeking submissions to a new compilation album which celebrates music creation with mobile tools.
We are looking for music made with small, battery-powered, portable gear. Examples of used equipment might include (but are not limited to): iOS music apps, Pocket Operators, OP-1, Volcas, grooveboxes such as Circuit, etc.
While we are not seeking submissions of sounds generated with software synths running on laptops, submitted music can be mixed in a computer-based DAW, as long as all sound sources in your track come from external, mobile music making tools. Music mixed exclusively with the use of mobile tools is of course also welcome. Other creative ways of interpreting the theme will be considered.
As a general rule, tracks should be shorter than 6 minutes, but if you create a really cool longer track that doesn’t get boring we would consider it.
For a reference on what style of music fits Clan Analogue, please listen to the past label releases following the links from our Releases page.
Every submission needs to be accompanied by a brief explanation of how your track was created and an image showing the studio setup and mobile equipment that you used. This information will be incorporated into the album artwork or accompanying promotional material.
Send submissions to koshowko [at] gmail [dot] com as Dropbox (or similar) download links to 320kbps AAC or MP3 files.
Please don’t send any files as email attachments. Wav files will be requested for any tracks that are selected for inclusion.
Deadline for submissions: September 15th 2018
The legendary collective Clan Analogue collective celebrate 25 years of independent Australian electronic music-making in 2017 with the release of their 50th record, the new compilation album Coordinate: Collaboration Beyond the Algorithm (CA050).
Already hugely respected for their diverse and innovative compilation albums, Coordinate: Collaboration Beyond the Algorithm sees Clan Analogue take their most unusual approach yet towards putting together a release. Fifty electronic and experimental music artists from Australia and overseas registered to take part in the Coordinate project, each one paired up to collaborate with artists they had never met before. Their only instructions were to move outside stylistic comfort zones and to respond to the theme ‘beyond the algorithm’.
Buy from iTunes
Whether working with cloud-based collaborative DAW software or posting back and forth CD burns, each collaboration found its own method to bridge the geographic and stylistic divides they faced. The results are an exceptionally diverse yet thematically unified release, traversing much of the terrain of electronic music over the last 25 years yet moving forward with new evolutions of sound with each collaboration pursuing its own unique vision.
The theme of ‘beyond the algorithm’ was chosen to reflect the ways in which we are increasingly herded to interact with those who think like us. Through the ubiquitousness of social media as the dominant communication platform of today we are driven more and more to interact with those who think like us, who share our values, who will confirm our attitudes. The result is an echo chamber that narrows our perspectives and standardises outcomes, including in the area of art. Collaborators were selected for each Coordinate artist specifically to undermine this tendency and to push each collaborator ‘beyond the algorithm’.
Download album from Juno Downloads
Coordinate spans 12 diverse collaborative visions. Opening track ‘Let the Robots’ by German classical musician Sunitram and Bowral-based techno artist Wasters of Time asks what we are prepared to give over to algorithmic control. Electro-pop artist John von Ahlen collaborates with psychedelic aficionado Shane Osterfield to create the stomping rockno excursion ‘Millonario’. Modular synth devotee SFBM joins with experimental sonic practitioner David Prescott-Steed on ‘Heuristic’, a techno journey into the extremes of sound. These are just some of the sonic avenues explored in the album’s 12 tracks.
The artists’s perspectives on how the collaborations happened.
1. Wasters of Time and Sunitram l Let the Robots
2. Jani Ho and Justin Mullins l Melberra
3. Eighth Arrow and Pradip Sarkar with Damian Tangram l Deep State
4. Kitty Xiao and Campbell Drummond l Dialogue
5. Simon Mann meets ZAZIZ l Memories of Attar
6. Auto_Horatio and Tony Tralongo’s Cocoon l Choonosaurus
7. John von Ahlen and Shane Osterfield l Millonario
8. iubar project vs Modus Op l Untold
9. EchoZilla and Nat Grant l Three Part Ratio
10. JOR and PantsOfDeath l Remote Access
11. David Prescott-Steed and SFBM l Heuristic
12. dyLAB and lightwell l Two Minds